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ENGLISH
Language
711
Pages
9780765341419
ISBN
4 mm
Width
10 mm
Height
17 gram
Weight
THE
Edition
MASS
Binding
1 SEPTEMBER 2004
Publish Date
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The Outstretched Shadow, the first book in The Obsidian Trilogy from Mercedes Lackey and James MalloryKellen Tavadon, son of the Arch-Mage Lycaelon, thought he knew the way the world worked. His father, leading the wise and benevolent Council of Mages, protected and guided the citizens of the Golden City of the Bells. Young Mages in training--all men, for women were unfit to practice magic--memorized the intricate details of High Magic and aspired to seats on the council.Then he found the forbidden Books of Wild Magic--or did they find him? Their Magic felt like a living thing, guided by the hearts... Read More
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Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70s she worked as an artists model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music.
Im a storyteller; thats what I see as `my job. My stories come out of my characters; how those characters would react to the given situation. Maybe thats why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of `story pill -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the `folk music of these peoples, I am enriching my whole world, whether I actually use the song in the text or not.
I began writing out of boredom; I continue out of addiction. I cant `not write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a `high-tech science fiction writer. I apply the principle of TANSTAAFL [`There aint no such thing as free lunch, credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possibl
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