Standard Operating Procedure is a war story that takes its place among the classics. It is the story of American soldiers who were sent to Iraq as liberators only to find themselves working as jailers in Saddam Hussein’s old dungeons, responsible for implementing the sort of policy they were supposed to be fighting against. It is the story of a defining moment in the war, Standard Operating Procedure is a war story that takes its place among the classics. It is the story of American soldiers who were sent to Iraq as liberators only to find themselves working as jailers in Saddam Hussein’s old dungeons, responsible for implementing the sort of policy they were supposed to be fighting against. It is the story of a defining moment in the war, and a defining moment in our understanding of ourselves—the story of the infamous Abu Ghraib photographs of prisoner abuse, as seen through the eyes, and told through the voices, of the soldiers who took them and appeared in them. It is the story of how those soldiers were at once the instruments of a great injustice and the victims of a great injustice. In a tradition of moral and political reckoning, and all-powerful story-telling, that runs from Joseph Conrad’s The Heart of Darkness and Fyodor Dostoevsky’s The Grand Inquisitor to Norman Mailer’s The Executioner’s Song , Philip Gourevitch has written a relentlessly surprising and perceptive account of the front lines of the war on terror. Drawing on more than two hundred hours of Errol Morris’s startlingly frank and intimate interviews with the soldier-photographers who gave us what have become the iconic images of the Iraq war, Standard Operating Procedure is a book that makes you see, and makes you feel, and above all makes you think about what it means to be human. It is an utterly original book that stands to endure as essential reading long after the current war in Iraq passes from the headlines—a work of searing power from two of our finest masters of nonfiction, working at the peak of their powers. Philip Gourevitch is the award-winning author of We Wish to Inform You That Tomorrow We Will Be Killed with Our Families: Stories from Rwanda and A Cold Case . He is the editor of The Paris Review and a longtime staff writer for The New Yorker . Errol Morris is a world-renowned filmmaker-the Academy Award-winning director of The Fog of War and the recipient of a MacArthur genius award. His other films include Mr. Death , Fast Cheap & Out of Control , A Brief History of Time , and The Thin Blue Line .