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Middlemarch Owc

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Middlemarch Owc

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Highlights

  • ENGLISH

    Language
  • 864

    Pages
  • 9780192834027

    ISBN
  • 129 mm

    Width
  • 198 mm

    Height
  • 590 gram

    Weight
  • PAPERBACK

    Binding
  • 5 MARCH 1998

    Publish Date
  • 38 mm

    Spine Width

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    Description

    This panoramic work--considered the finest novel in English by many critics--offers a complex look at English provincial life at a crucial historical moment, and, at the same time, dramatizes and explores some of the most potent myths of Victorian literature. The text of this edition comes from the Clarendon Middlemarch , the first critical edition of the novel. Paperback , 904 pages Published May 28th 1998 by Oxford University Press, USA (first published 1871)

    About the Author

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    George Eliot

    In 1819, novelist George Eliot (nee Mary Ann Evans), was born at a farmstead in Nuneaton, Warwickshire, England, where her father was estate manager. Mary Ann, the youngest child and a favorite of her fathers, received a good education for a young woman of her day. Influenced by a favorite governess, she became a religious evangelical as an adolescent. Her first published work was a religious poem. Through a family friend, she was exposed to Charles Hennells An Inquiry into the Origins of Christianity. Unable to believe, she conscientiously gave up religion and stopped attending church. Her father shunned her, sending the broken-hearted young dependent to live with a sister until she promised to reexamine her feelings. Her intellectual views did not, however, change. She translated Das Leben Jesu, a monumental task, without signing her name to the 1846 work. After her fathers death in 1849, Mary Ann traveled, then accepted an unpaid position with The Westminster Review. Despite a heavy workload, she translated s The Essence of Christianity, the only book ever published under her real name. That year, the shy, respectable writer scandalized British society by sending notices to friends announcing she had entered a free union with George Henry Lewes, editor of The Leader, who was unable to divorce his first wife. They lived harmoniously together for the next 24 years, but suffered social ostracism and financial hardship. She became salaried and began writing essays and reviews for The Westminster Review. Renaming herself Marian in private life and adopting the nom de plume George Eliot, she began her impressive fiction career, including: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1863), and Middlemarch (1871). Themes included her humanist vision and strong heroines. Her poem, O May I Join the Choir Invisible expressed her views about non supernatural powers.

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